Guides

Subtitling guides

The background that makes the difference between subtitles that exist and subtitles people can actually read.

Start free with Google 50 free credits. No credit card needed.

These are reference pages rather than product walkthroughs: what is inside a subtitle file, how reading speed decides whether a line works, what the accessibility standards ask for, and where translated subtitles go wrong.

All guides

  • What is an SRT file?SRT is the most widely supported subtitle format. What is inside one, how the timecodes work, and the mistakes that stop a file from loading.
  • Subtitle timing and reading speedWhy subtitles feel rushed, how characters per second works, and the timing conventions broadcasters use to keep subtitles readable.
  • Burned-in vs soft subtitlesHardcoded subtitles play everywhere but cannot be switched off. Soft subtitles are flexible but unevenly supported. How to choose between them.
  • Subtitle formatting rulesLine length, line breaks, placement, punctuation, and the conventions professional subtitlers follow to keep text readable on screen.
  • Subtitles vs captionsSubtitles assume you can hear the audio. Captions assume you cannot. What SDH means, and which one your video actually needs.
  • Video accessibility and captionsWhat WCAG asks for, which laws reference it, and what a caption track has to contain to be genuinely useful rather than merely present.
  • Translating subtitles wellRegister, names, idiom, and condensing. The decisions that separate a subtitle translation that reads naturally from one that reads like a machine.
  • Subtitle file formatsSRT, WebVTT, ASS, TTML, and broadcast caption formats. What each one carries, what it cannot do, and when it is the right choice.
  • Where automatic captions break downMachine transcription fails in the same few places on every video. What those places are, why they happen, and what to check before publishing.
  • What makes a subtitle readableContrast, weight, size, and position decide whether a subtitle gets read or skipped. What holds up over a moving picture, and what does not.